Geburtstag von "Highway to Hell". Das sechste Studioalbum der Band war gleichzeitig das letzte mit der Legende Bon Scott am Mikrofon. Zudem stellt es einen. Am Juli veröffentlichte die australische Hardrock-Formation AC/DC ihr sechstes Studioalbum „Highway to Hell“. Allein in den USA wurden über sieben. Highway to Hell ist ein Lied der australischen Rockband AC/DC. Es wurde im Juli vorab als erste Single aus ihrem gleichnamigen Album veröffentlicht.
Highway to HellWäre die Welt des Rock ein Rindvieh, er hätte ihr sein Brandzeichen aufgedrückt: Angus Young, Leadgitarrist von AC/DC. Mit "Highway To Hell" hat er eine. Ein leichtes Leben. Freie Liebe. Ich habe eine Jahreskarte für diese Einbahnstraße. Ich verlange Nichts, lass´ mich einfach. Alles auf meinem Weg nehme ich. Am Juli veröffentlichte die australische Hardrock-Formation AC/DC ihr sechstes Studioalbum „Highway to Hell“. Allein in den USA wurden über sieben.
High Way To Hell entertainment VideoAC/DC - Highway to Hell (from Countdown, 1979) Lyrics: Livin' easy, lovin' free Season ticket, on a one - way ride Askin' nothin', leave me be Takin' everything in my stride Don't need reason, don't need. Highway to Hell is the sixth studio album by Australian hard rock band AC/DC, released on 27 July It was the band's fifth studio album released internationally and the sixth to be released in Australia. It was the last album featuring lead singer Bon Scott, who died early the following year on 19 February See how a local heavy recovery firm works through the hard winters helping highway users that have fallen victim to the brutal road conditions. Their essential service keeps the traffic on the highways thru hell moving. Plot Summary | Add Synopsis. Strap yourself in for the most thundering AC/DC tracks! Listen to the playlist now: followupmailgold.com!hthHighway to HellBuy/Listen - https://. About “Highway to Hell” 3 contributors For all it’s heavy riffing and dark imagery, “Highway to Hell” is a depiction of something altogether more lighthearted. A typical move, considering the. We felt it was the best way to be Trivia Canadian muscle car enthusiast Mike Hall, who later got his own hit show Rust Valley Restorers, appears in S2 Ep 10 of Highway Thru Hell dislodging rocks from a cliff that are falling on to the road. He really massaged them into what became that album". Federazione Www.Gelbe Seiten Musicale Italiana.
Casino High Way To Hell ausgeprГgt. - Über RatenzahlungenZum Lied siehe Highway to Hell Lied. Highway to Hell (engl. für „Autobahn zur Hölle“) ist das sechste Studioalbum der australischen Hard-Rock-Band AC/DC. Es wurde veröffentlicht und war. Highway to Hell ist ein Lied der australischen Rockband AC/DC. Es wurde im Juli vorab als erste Single aus ihrem gleichnamigen Album veröffentlicht. Vor über 40 Jahren schafften AC/DC den internationalen Durchbruch mit Highway To Hell! Wir feiern den rockenden Meilenstein mit höllisch. Geburtstag von "Highway to Hell". Das sechste Studioalbum der Band war gleichzeitig das letzte mit der Legende Bon Scott am Mikrofon. Zudem stellt es einen.
Man sollte allerdings High Way To Hell vergessen, dann High Way To Hell so umsetzen wie geplant. - NavigationsmenüLange half vor allem Bon Scott an seinem Gesangsstil zu arbeiten.
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In , they landed in America and, with virtually no radio support, began to amass a live following. The band's most recent album, the live If You Want Blood , had reached number 13 in Britain, and the two albums previous to that, 's Let There Be Rock and 's Powerage , had seen the band find their raging, blues-based hard rock sound.
Although the American branch of Atlantic Records had rejected the group's LP Dirty Deeds Done Dirt Cheap , it now believed the band was poised to strike it big in the States if only they would work with a producer who could give them a radio-friendly sound.
Being told what to do was bad enough but what really pissed off Malcolm and Angus was they felt that George was being treated disrespectfully by Atlantic, like an amateur with no great track record when it came to production Malcolm seemed less pleased with the situation and went so far as to tell Radio 2JJ in Sydney that the band had been virtually "forced" to go with an outside producer.
Losing Harry was one thing. Losing George was almost literally like losing a sixth member of the band, and much more. The producer Atlantic paired the band with was South African -born Eddie Kramer , best known for his pioneering work as engineer for Jimi Hendrix but also for mega-bands Led Zeppelin and Kiss.
Kramer met the band at Criteria Studios in Miami, Florida but, by all accounts, they did not get on. He looked at Bon and said to us, 'Can your guy sing?
So one day we told him we were going to have a day off and not to bother coming in. This was Saturday, and we snuck into the studio and on that one day we put down six songs, sent the tape to Lange and said, 'Will you work with us?
Sessions for the album—15 hours a day, day-in day-out, for over two months—were gruelling. Songs were worked and reworked. We were all minimalist. We felt it was the best way to be He knew we were all dedicated so he sort of got it.
But he made sure the tracks were solid, and he could hear if a snare just went off. He would zero in—and he was good too on the vocal side.
Even Bon was impressed with how he could get his voice to sound. Mutt sat in his seat and did it without standing up!
That was when they all went, 'What the fucking hell we dealing with here? The melodic backing vocals was a new element to the band's sound, but the polish that Lange added did not detract from the band's characteristic crunch, thereby satisfying the band and Atlantic Records at the same time.
Lange also taught Angus some useful lessons, instructing him to play his solos while sitting next to the producer.
It was fantastic! And that really stood them all to attention on Mutt too. He really massaged them into what became that album". The album's most famous song is its title track.
From the outset, Atlantic Records hated the idea of using the song as the album title, with Angus recalling to Guitar World ' s Alan Di Perna in And all we'd done is describe what it's like to be on the road for four years, like we'd been.
A lot of it was bus and car touring, with no real break. It really was. When you're sleeping with the singer's socks two inches from your nose, that's pretty close to hell.
We were in Miami and we were flat broke. Malcolm and I were playing guitars in a rehearsal studio, and I said, "I think I have a good idea for an intro", which was the beginning of "Highway to Hell".
And he hopped on a drum kit and he banged out the beat for me. There was a guy in there working with us and he took the cassette we had it on home and gave it to his kid, and his kid unraveled it [laughs].
Bon was good at fixing broken cassettes, and he pasted it back together. So at least we didn't lose the tune. The words to "Highway to Hell" took on a new resonance when Scott drank himself to death in AllMusic 's Steve Huey observes:.
The lyrics displayed a fierce, stubborn independence in his choice of lifestyle "Askin' nothin', leave me be"; "nobody's gonna slow me down" , but not really loneliness of hell: "goin' down!
It's ironic that Scott seems most alive when facing death with the fearless bravado of "Highway to Hell", yet it's undeniably true, especially given his positively unhinged performance.
The untutored ugliness of his voice; the playfulness with which he used it to his advantage; the wails, growls, screeches, and scratches - all these qualities combine to give the song an unbridled enthusiasm without which it might take on an air of ambivalence.
In his band memoir, Murray Engelheart reveals that Scott felt the lyrics of songs like "Gone Shootin'" from the preceding Powerage were "simply too serious.